I’ve been working on a now forthcoming article on feminisms and digital archives (for Spring DHQ) for a couple of years now. While the article initially was going to ask if XML and XSLT (markup and transformation languages used in many digital archives) could be thought of as feminist, I ended up writing a piece that talks about how difficult that question is to even ask. There are incredibly complex social scenes in which these tools are deployed, and most work today in technology studies acknowledges the “technosocial” scene as important to theorizing a tool. But even before dealing with the scenes of tool usage, I found that I had an incredibly difficult time finding many good resources on feminisms and digital technology of the sort used in digital archives. In even the best of situations, I was using work that addressed very different kinds of technology and that presents certain challenges.
The FemTechNet list has recently been chewing over the issue of feminist technologies and tools and others have noted the relative paucity of the literature. So, in the collaborative and distributed spirit of FemTechNet, I’d like to ask for your help adding to my bibliography. This particular piece has a specific focus, but I’m interested in developing a much larger bibliography so please comment with any citations that you think are relevant to the study of feminist technology/information design/digital tools. I’ll repost an updated bibl for those who are interested.
[Balzas 2000] Balzas, S. “The Orlando Project.” 2000. http://www.tei-c.org/Activities/Projects/or01.xml
[Bianco 2012] Bianco, J.S. “This Digital Humanities Which is Not One,” Debates in the Digital Humanities, Matthew K. Gold, ed. Minneapolis: University of Minnesota Press, 2012: 97
[Booth 2008] Booth, A. “Orlando: Women’s Writing in the British Isles from the Beginnings to the Present (review).” Biography, 31.4 (2008): 725-734.
[Brown, et al Unknown] Brown, S., Clements, P., and Grundy, I. “Documentation.” Unknown. http://orlando.cambridge.org/public/svDocumentation
[Brown, et al 2005] Brown, S., Clements, P., Elio, R. and Grundy, I. “Between markup and delivery: Tomorrow’s electronic text today” in R. Seimens (Ed.), Mind Technologies, 15-32. University of Calgary Press, 2005.
[Brown, et al 2010] Brown, S., Clements, P., and Grundy, I. “The Orlando Project.” 2010. http://www.arts.ualberta.ca/orlando/
[Brown, et al 2007] Brown, S., Clements, P., Grundy, I., and Balazs, S. “An Introduction to The Orlando Project” Tulsa Studies in Women’s Literature, 26.1 (2007): pp. 127-134.
[Craig, et al 2011] Craig, C. J., Turcotte, J. F., and Coombe, R. “What is Feminist About Open Access?: A Relational Approach to Copyright in the Academy” Feminists@law, 1.1 (2011): pp. 1-35. http://journals.kent.ac.uk/index.php/feministsatlaw/article/view/7/25
[Davidson 2008] Davidson, C. “Humanities 2.0: Promise, Perils, Prediction” PMLA 123.3 (2008): pp. 707-717.
[Earhart 2012] “Recovering the Recovered Text: Diversity, Canon Building, and Digital Studies.” This talk was given at DH2012 in Hamburg, and in a modified format at the University of Kansas. The video of the latter can be found here
[Flanders 2007] Flanders, J. “Electronic Textual Editing: The Women Writers Project: A Digital Anthology.” In J. Unsworth, K. Brian O’Keeffe, and L. Burnard, Electronic Text Editing
[Flanders and Wernimont 2010] — and Wernimont, J. “Feminism in the Age of Digital Archives: The Women Writers Project” Tulsa Studies in Women’s Literature 29.2 (2010): 425-435.
[Fraiman 2008] Fraiman, S. “In Search of Our Mothers’ Gardens—With Help from a New Digital Resource for Literary Scholars,” Modern Philology, 106.1 (2008): pp. 142-48.
[Freshwater 2003] Freshwater, H. “The Allure of the Archive” Poetics Today, 24.4 (2003): pp. 729-758.
[Haraway 1991] Haraway, D. “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth-Century,” Simians, Cyborgs, and Women: the reinvention of nature. New York: Routledge, 1991. Available at http://www.egs.edu/faculty/donna-haraway/articles/donna-haraway-a-cyborg-manifesto/
[Juhasz 2010] Juhasz, A. “The Views of the Feminist Archive”
[McPherson 2012] McPherson, T. “Why are the Digital Humanities So White? Or Thinking the Histories of Race and Computation,” Debates in the Digital Humanities, Matthew K. Gold, ed. Minneapolis: University of Minnesota Press, 2012: 142.
[Rooney 2006] Rooney, E. “Introduction” The Cambridge Companion to Feminist Literary Theory. Cambridge: Cambridge University Press, 2006: 1-10.
[Rowe-Finkbeiner 2004] Rowe-Finkbeiner, K. The F-Word: Feminism in Jeopardy (Seal Press 2004).
[Rosser 2005] Rosser, S. “Through the Lenses of Feminist Theory: Focus on Women and Information Technology.” Frontiers: A Journal of Women Studies, 26.1 (2005): pp. 1-23.
[Skloot 2011] Skloot, R. The Immortal Life of Henrietta Lacks. New York: Broadway Publishing (2011).
[Smith 2007] Smith, M. N. “The Human Touch, Software of the Highest Order: Revisiting Editing as Interpretation” Textual Cultures, 2.1 (2007): pp. 1-15.
[Steedman 2002] Steedman, C. Dust: The Archive and Cultural History New Brunswick, Rutgers University Press (2002).
[Travitsky and Prescott 2009] Travitsky, B. S. and A. L. Prescott. “Studying and Editing Early Modern Englishwomen: Then and Now” in (Ed) A. Hollinshead Hurley and C. Goodblatt, Women Editing/Editing Women: Early Modern Women Writers and the New Textualism, Cambridge: Cambridge Scholars Publishing (2009): pp. 1-17.
[Wajcman 1991] Wajcman, Feminism Confronts Technology. Pennsylvania: Pennsylvania State University Press (1991).
[Wajcman 2010] Wajcman, J. “Feminist Theories of Technology,” Cambridge Journal of Economics, 34 (2010): pp. 3143–152.
[WWP History] http://www.wwp.brown.edu/about/history/.